Saturday, January 26, 2013

DIAGNOSING AND TREATING LITERARY STOCKHOLM SYNDROME



     I am not a doctor, nor do I play one on teevee. Nonetheless, I have identified a new condition that I hope will be accepted in the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-V). This condition is called “Literary Stockholm Syndrome” (“LSS”).
    
     HISTORY -- As previously  reported in several scholarly blogs, in the guise of my alter ego Ken Charles, I entered into two ill-advised contracts with a small electronic publisher called Naughty Nights Press (“NNP”). NNP drafted “Author Agreements” with a clause that it physically was incapable of performing. When certain creative disputes (plural) arose, NNP resorted to ad hominem attacks rather than professional attempts to resolve the disputes. Accordingly, I relied on the publisher’s inability to perform the agreement, inter alia, as grounds to terminate the two agreements. I used the agreement clause that NNP wrote that gave NNP three months to cure any “non-compliance” or the agreement terminated. Despite failing to cure the “non-compliances”, NNP refused to acknowledge that the agreements were terminated. On May 30th, however, NNP sent an email regarding one of the works that stated in part, “you now have control of that work.”
     I made several attempts to settle our differences with NNP, with NNP acknowledging that the rights to the two works belonged to me, and both parties going their own way. I even let one of their most prolific authors attempt to mediate. However, when I attempted to self publish the two works on Amazon in August, NNP sent a DMCA take down notice claiming rights to the works.
     I filed a lawsuit against NNP. NNP failed to defend the suit. On January 24, the Court entered a default judgment against NNP, awarding me all rights to the two works. The Court found that NNP never secured any rights.
    
     DIAGNOSIS OF “LITERARY STOCKHOLM SYNDROME” -- Affected NNP Authors  (hereinafter referred to as “Patients”) present with varying degrees of sympathy and attachments to NNP despite demonstrable failures of NNP to abide by the “Author Agreements” that it drafted. One patient, when expressing complete devotion to NNP, affirmatively stated that she did not want to know the facts. NNP gave her a chance so she was siding with NNP. Period. End of discussion. Another patient believes that an author who actually enforces the author’s rights under a publishing contract will be shunned. A third patient suggested that filing a lawsuit to enforce an author’s rights was unnecessary and wrong because rights will revert at the end of the contract term.
    
     TREATMENT OF “LITERARY STOCKHOLM SYNDROME” -- Basically, patients suffering from LSS should be treated like cult victims with a measured deprogramming. First, they need to understand that a publishing contract creates a business relationship between the author and the publisher. It does not make the author the publisher’s employee. Claims by NNP’s owner to the contrary, the author does not work for NNP. Similarly, the author agreement does not make the parties friends. The author agreement makes the author the publisher’s business partner.  
      Second, the patient needs to actually read the author agreement that the patient signed. Ideally, the patient should have read the agreement before signing it. Regardless, the patient needs to understand what the agreement obligates the parties to do. Every clause in the agreement has meaning. If the agreement, hypothetically, obligates the publisher to provide templates to the author for the selection of the work’s format, then the publisher must provide such templates, or it will commit a “non-compliance” or breach. If the publisher doesn’t actually have any such templates, then it can hardly complain when it is called to task for failing to provide them.
     Third, the patient needs to be placed in white room with a television that has the conclusion of Star Trek 2: The Wrath of Khan playing on a continuous loop until the patient finally understands that the good of the many oft times outweighs the good of the few or of the one. Even though a publisher like NNP may be the only publisher that would touch the patient’s work, it is the author’s obligation to the writing community to warn other authors of the dealings of predatory publishers. When a publisher will not abide by the agreements it drafts, an author has the obligation to enforce the author’s rights up to and including, if necessary, filing a lawsuit to declare, protect and enforce those rights.
    
CK Copyright 1/26/13; Moral rights to be identified as the author of the foregoing article asserted worldwide (including in Great Britain in accordance with Sections 77 and 78 of the Copyright, Designs and Patent Act of 1988) (See prior blog on Moral Rights).     

Friday, January 25, 2013

Welcome to the Seven Realm Earthside Communications Center

Greetings Traveler, and welcome to the Seven Realms Earthside Communications Center (SRECC). Whether you've just arrived Earthside, or have been stranded here for a while, the SRECC will provide you with valuable information during your stay.

Access to the Golden Way is available in most metropolitan areas, and at several burned out rest stops along old US Route 66.

For the sake of uniformity, the SRECC uses Earthside English as its principal language. Plans are under consideration for mirror sites in Qpiad and High Sidhe, subject to funding availability and limitless temporal resources.

The SRECC will be updated continuously, beginning with the next update, and continuing thereafter whenever an update is available. All updates are retrospective in nature and may be considered concurrently, sequentially, or out of natural order.

The SRECC is not responsible for any temporal anomalies resulting from fluctuations in the Veil.

The next meeting of the Board of Directors will be open to the public at Djinnie's Bar and Grill on 9th St., starting promptly at 12:00 (that's half past anvil on your Godmother Clock) on the last vernal equinox.

Any questions may be directed to the Oracle at Delphi, or sent directly to Charlie Kenmore, Administrator at this Blog or charliekenmore@gmail.com

Thursday, January 24, 2013

Default Judgment entered against Naughty Nights Press

January 24, 2013

Naughty Nights Press (NNP) failed to appear at this morning's hearing. The Court entered a default judgment awarding all rights to The Mercies of Cinderella and The Naughty Ladies of Cotton Glen to the Author on the basis of fraud in inducement in procuring the Author Agreements for those works. Additionally, the Court found that NNP tortiously interfered with Author's attempts to publish the works on Amazon. The Court also awarded Author $24,996.00 in damages plus expenses.


NNP sent Author "Author Agreements" that it knew it could not fulfill. 

Section 3.2 of both Author Agreements provides:

            3.2 The Publisher shall have the entire control of all aspects of the production, publication, pricing and commercial exploitation of the Work including all marketing and distribution of the Work and derivatives of the Work via the Site or through any other means at its absolute discretion. The Author shall have the right to select the format for the Work from a choice of templates to be provided by the Publisher.

NNP never had any “templates” as the term was used in Section 3.2 of the Author Agreements. NNP went ahead and published both works without allowing Author to select the format for the works. 

When Author attempted to publish the works on Amazon, NNP sent a DMCA notice to Amazon claiming rights to the works. NNP knew at that time that it had no claims. It had even sent Author an email acknowledging that it had no rights to The Mercies of Cinderella

Tuesday, January 1, 2013

New Year's Memorandum

To Whom it may concern:

Here's wishing you a happy and prosperous new year. The rest of you--muddle on.

Monday, December 24, 2012

Lawsuit filed against Naughty Nights Press

Naughty Nights Press has been sued in the St. Louis County, Missouri Circuit Court.  Cohen v. Naughty Nights Press, Cause No. 12SL-AC40683.  NNP was served by International Registered Mail on December 24, 2012.  Under Missouri law, service will be completed on or before December 29, 2012.  

The lawsuit includes six counts: two counts of fraud in inducement based on the publisher offering contracts that it knew it couldn't fulfill; two counts of declaratory judgment seeking declarations of author's rights; and two counts of tortious interference with business expectancies for NNP's interference with the author's publishing listings on Amazon.

Track & Confirm e-mail update information provided by the U.S. Postal Service.

Label Number: RC01 7238 474U S

Service Type: First-Class Mail International Registered

Shipment Activity        Location                               Date & Time
--------------------------------------------------------------------------------
Delivered                CANADA                                 01/09/13 10:37am

Thursday, November 15, 2012

CHALLENGING ONESELF AS A WRITER: KEEPING THE SEX SCENE REAL



A recent lead story in the evening news was about a local deputy who is accused of taking sexual liberties with female prisoners. As news stories go, this one was pretty salacious. Of course, there was no actual recounting of the sex. Given the same factual scenario in a work of fiction, the setting was great for writing some serious “Prison Sex" encounters.

As a fiction writer, I have a luxury that news reporters don’t have (or at least shouldn't have). My characters can do anything I want them to, any time, any place, any way. But as any Spiderman fan knows, “With great power comes great responsibility.”  It isn’t enough to place a sex scene in an unusual setting.  There is more to a sex scene than merely making the female and male parts fit together. The scene still has to be believable within the context of the work.

When it comes to writing a sex scene, I have a basic checklist:

A) Set up: is there enough background to support the scene?

Tom dropped the letters into the mailbox slot. He flipped the door several times to make sure that all of the letters fell into the box. Mary, a tall, buxom business woman waiting to deposit her letter tapped her foot impatiently. He turned to her, “Is there a problem?”  Their eyes met, the untamed fire in hers immediately lighting a fire in his groin. He ripped open her blouse as she unfastened his belt.

This scenario doesn’t seem likely even for a hand-held camera, 8mm black and white porno. There needs to be a believable build up, however unlikely the setting. Part, or even a substantial portion, of the build up can occur offstage in indirect action. But the buildup is still necessary. The more improbable the setting, the greater the need for a solid foundation for a sex scene. Even if the scene is just casual sex for the sake of having sex, the characters still need to connect in a believable manner. If the reader remains skeptical that the characters are about to have sex in the scene, then the scene will fail.

B) Foreplay: is there enough?

Bill hit “play”, and set the remote on the arm of the black, leather couch. He put his arm around Suzy, who snuggled closer. She turned her head, and opened her mouth for a kiss. His tongue met hers as he rucked up her skirt. He drove into her powerfully, as relentless as a force of nature.

This is a bit thin on details. The reader is probably going to need a bit more information on their feelings and reactions to tactile stimulation before reaching the “force of nature” bit.

C) Temporal consistency and mechanics: does the sex scene work from technical point of view?

One problem that I’ve found in sex scenes that I’ve edited is that the mechanics of the scene are off. In one memorable scene, the couple is coupling fiercely. Two paragraphs later, she unzips his slacks and takes his cock out. Being old fashioned, I suggested that the paragraphs needed to be reversed. In another scene, the man held her breast in one hand and fingered her dripping pussy with the other. She moaned as he pulled her hair. My question as the editor was, pulled her hair with what? His teeth?

D) Originality: 1) what makes this scene different from the other sex scenes in the book?

Chapter Three: Mary slowly did a scissors split,  impaling herself, as she slid down Tom’s long, thick rod until she was filled.

Chapter Seven: Suzy swung her legs out of the pike position, and flipped one leg over each of the parallel bars. She spread her legs until they were straight out at her sides in a perfect split. Bill reached around her and grabbed her breasts as he slid his long, hard shaft into her until she was filled.

Been there, done that. Yes, Mary was in the bedroom, and Suzy was in the gym. But the novelty of a woman doing the splits wore off after the first time. One of the splits has to go. If the reader really likes the splits scene, then s(he) can reread Chapter Three. Chapter Seven needs to give the reader something new.

2) Word choices?

How many times do the same words or variations on a root word repeat?  Using “throb”or “throbbed” in every sex scene will bore the reader at best, or at worst, produce a throbbing headache. Find some new adjectives.  If in Chapter Three, Mary “slid” until “she was filled”, then in Chapter Seven, Tom’s actions need to be something other than “slid” until “she was filled”.  I would need to find a new verb for “slid”, and a new adjective for “filled”.

In Earth Angel, there was a brief stand alone sex scene that my editor wanted to cut because she didn’t think it added anything. I disagreed because I wanted to change the pace at that point, and work on character development rather than plot development. The scene stayed after we discussed its purpose. But to make sure the scene added something, I still had to make sure that it fit within the internal logic of the overall story, and didn’t merely rehash stock footage from a prior sex scene.  


CK Copyright 11/7/11; Moral rights to be identified as the author of the foregoing article asserted worldwide (including in Great Britain in accordance with Sections 77 and 78 of the Copyright, Designs and Patent Act of 1988) (See prior blog on Moral Rights).     

Sunday, November 4, 2012

Mind, Groin, or Both. Inserting the Sex Scene




Okay, you've gone to great pains to develop your _____ (insert characters). Enough with the damn plot development. It's time for a sex scene. It's also decision time. What is the purpose of the scene? Is the sex supposed to cement the characters' relationship? Is it a casual release? Is it the breaking point? The purpose of the scene often dictates the best approach to its portrayal.

In Earth Angel, I wanted the sex scenes to further the characters' relationships. Prince Dzhok (who goes by Jack) is a Qpiad (often misspelled as "cupid" in Earthside English). "Make love, not war" is central to his persona. He makes loves often, with over 1,980 offspring. The Qpiad are human appearing humanoids with one significant distinguishing ability. They are always a perfect sexual fit for their partners, regardless of size, species, or color. Jack takes his lovemaking very seriously, and is an All-Realms master of the simultaneous orgasm. Accordingly, with Jack, it was important to focus on his techniques.

Salash, Jack's oldest friend and lover, the mother of 22 of his children, is a full blooded High Sidhe. The High Sidhe are extremely flexible. When an Earthside gymnast scores a "10", the judges should always check for High Sidhe blood. With Salash, I needed to show her flexibility.

Having identified the purpose of the sex scene, the next decision is the lexicon. The mechanics of any sex scene, whether M-F, F-F, or M-M are going to be pretty much the same. Tactile stimulation is followed by some form of penetration in one or more orifices. But the word choices one uses to describe the process are the key. Identify your target, the mind, the groin, or both, and attack.

The Mind: In one sense this is both the easiest and the hardest target. The more that is left to the imagination, the greater the attack on the mind. "He undid another button, then kicked the door shut....Mary woke the next morning..." In this case, the sex is entirely inferential, and may be as hot and kinky or as quick and vanilla as the reader chooses. However, if you truly wish to engage the reader's mind, then be prepared to show the reader everything that happened once the door closed. Describe the mounting sensations, the distended time, and the cataclysmic finale. Focus on anything and everything except the actual physical act, except as may be necessary to describe the next round of sensations. Use metaphors and similes rather than descriptions of the physical act.
  
The Groin: This is probably the easiest approach. Just call it like you see it. Describe the participants' physical attributes in as much detail as you desire, then focus on the mechanics. Be sure to add telling sound effects.

Both: This one is a bit trickier. You need to handle this like a sports broadcast. Part of you needs to write the play by play, while another part provides the "color".

That said, here's a quickie from Earth Angel:

As Salash climbed back onto the bed, Jack flipped over on top of Brunhilde, and slowly guided himself inside her. Although Brunhilde stood a full head taller than Jack, he had no trouble filling her, much to her pleasant surprise. In fact, she remarked that next to Thor, he was probably the largest she had ever had, and she never would have guessed from looking him over just before he got into the bath.

He did not take offense at the comparison. He knew he could be larger than Thor if he so chose. He preferred his current size, which was a custom fit to Brunhilde's hot, wet passage. Salash placed her hands on either side of Brunhilde's head, then pressed herself up into a handstand with her legs straight and together. She then slowly bent at the waist into an inverted pike position until she formed a perfect inverted L, with her legs parallel to Brunhilde's body, extending just slightly over Jack's head. Whenever a human gymnast scores a perfect 10, the officials should always check for Sidhe bloodbut they never do. Salash opened her legs, extended her tongue, and slowly bent her arms until her legs rested on Jack's shoulders.

Brunhilde had time for a quick Showoff! before Salash's tongue was in her mouth. Jack leaned forward and began tonguing Salash, while vigorously pumping Brunhilde until they all came simultaneously. Let Thor try to pull that one off!

*********************************

EARTH ANGEL By CHARLIE KENMORE

charliekenmore@gmail.com

http://charliekenmore.blogspot.com/

Blurb: There are seven parallel worlds known as the Seven Realms which are separated by a Veil. Six are inhabited by all manner of entities, some natural, some not. That may not be the case for much longer. The first portion of the High Sidhe Prophecy of the Sevens has been fulfilled. The Anarch, who is one with the Veil, has escaped. If she chooses, she can part or drop the Veil or she can lift the Veil in its entirety. The Seven Realms will converge. The laws of physics and magic will collide head on. Unless she is stopped,there will be nothing left.

Queen Amura has called for an assembly of the signatories to the High Sidhe's Second Accords, a multi-realm peace treaty to consider how to deal with the threat of the Anarch. An Earthside TechnoWitch and other dark forces also are  seeking to control the Anarch. Prince Dzhok (Jack), High Sidhe Ambassador Salash (Jack's oldest friendand lover), and Valkyrie Brunhilde set out to find and befriend the Anarch before all is lost.

Purchase Links: http://www.damnationbooks.com/book.php?isbn=9781615724840  (you have toregister-free)

http://www.amazon.com/Earth-Angel-ebook/dp/B005KMQAA2/ref=sr_1_1?s=books&ie=UTF8&qid=1315450669&sr=1-1

http://www.allromanceebooks.com/product-earthangel-599934-140.html